Monday, September 7, 2015

Article Summary for Lecture #3 - Galeffi

Biographical and Cataloging Common Ground: Panizzi and Lubetzky, kindred spirits seperated by a century.

Panizzi and Lubetzky are two librarians both extremely influential in the creation of modern models for effective cataloging. Many of Panizzi's original precepts carried over into Lubetzky's work, a full century later.  However, Lubetzky applied that work in new and innovative ways to the modern systems and trends Panizzi could have never foreseen, and his work was not purely derivative.  Additionally, both men had similar rocky backgrounds as refugees and poor immigrants, who attained their position almost by accident, and by being brilliant and getting recommended for positions of importance.
The majority of Panizzi's work involved standardizing cataloging processes for a single large library, so many of his rules focus on that precept.  He had to create very utilitarian systems.  Lubetzky, on the other hand, was more focused on the underlying framework of cataloging, and in making the systems universally applicable to an array of libraries.  He was focused more on the goals for cataloging that mostly remained implicit within Panizzi's rules.
Lubetzky focused far more attention to breaking down bibliographic descriptions into atoms, so that the bibliography could be more easily searchable, and did far more work with access points, whereas Panizzi had a mess to clean up, and so he concentrated more on standardizing general cataloging practices, and placing items in a given order and structure so that the multiple catalogers were each following the same system.  The goals he followed, to make catalogs more easy to use and items easier to locate, were implicit in this standardization, whereas for Lubetzky, the rules needed to be explicit and foundational, because the goals, and ways of reaching them became more and more complex.
One main difference between the two was that Panizzi almost universally respected the authority of the title page.  Lubetzky complicated matters in that regard, by pointing out how printing errors, pseudonyms, changes in naming, and other factors can make the title page out of date, and make searching more difficult for the user.  He was an advocate of updating and modernizing beyond the simple title page.  Partly this is because of all the work Lubetzky did with defining authorship, and making explicit the implicit rules of Panizzi’s work.
            Lubetzky was a big fan or Panizzi, and drew on his work to conceptualize the idea of corporate authorship, as well as making the basic FRBR principles found in Panizzi’s work explicit. They both hated the idea of guesswork on the part of the user, and wanted to make as much available, as easily as possible.  Panizzi sometimes used the standard convention of separating out dictionaries and encyclopedias into separate entries for easier searching and access.  Lubetzky acknowledge the occasional convenience of this, but ultimately argued that the standard scheme should apply to all books, so that users aren’t left guessing where to look up a certain book.
In my opinion, the convention of the reference section could be an exact corollary of the convenience of separate cataloging, but the impracticality of creating a different system for a different type of resource.  Items in reference, such as dictionaries and encyclopedias, would have been in Panizzi’s separate catalog, and they are not cataloged separately, as Lubetzky advocated, but simply located separately for easier reference.

Overall, I empathize strongly with Panizzi’s practical, utilitarian systems and the need for them.  Lubetzky’s criticisms, in terms of respecting more modern name changes in authorship etc. are valid, especially in terms of card catalogs, but the universality and ease of Panizzi’s systems seem to outweigh the concerns of authorship confusion.  I think in a modern setting, where author pseudonyms can be linked via search engines and made just as searchable as an author’s real name, Panizzi’s system seems more favorable.  I agree with the article’s sentiment that Panizzi and Lubetzky were contemporaries separated by a century, mostly because I found Panizzi’s work to be so far ahead of his time.

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